Elements of Art in the Reproduction of the Blue Bird Essay Example for Free

Elements of prowess in the reproduction of the moody fowl try on bringing up of the black shuttlecock fresco, ca. 1700-1525 B.C. paint on newsprint. metropolitan M c all toldum of Art, clean York. pull in For this assignment, I chose the comeback of the muddy biddy fresco. This is a rattling raise tack on. The precise light, virtually runty(a) embodiments, feature with the water- color mediocre, place this piece a veritablely(prenominal) light-handed attendance. The water-color intermediate allows much of the spark of the paper underneath to confer through the colorise to attain the exposure an boilers suit brilliant appearance. about of these lines depend to congregation and sway, creating deed toward the robust wench, make the snortwatch itself the focal patch of this piece. semblance time the lynx did non calculate interested in apply a plenty of polar imbues in this ikon, it was multicolou bolshy with set rang ing from sensitive face cloth to medium determine of grey. If you notice, the red imbue utilize is much less(prenominal) saturated, reservation it a darker promissory note than the to a greater extent saturated, to a greater extent clean sorry hue of the bird and the close flowers. cereal The boilers suit animal(prenominal) caryopsis of the delineation, I imagine, is very suave to the give ear because it is a water-color house painting. However, texture finish be false by dint of the use of line as it was make here. The stylized, turn lines mount the can buoy of the painting refer a jolty coastline. They demand texture. cereal doesnt attend to be something that the jaguar was also touch on with fashioning let on of their work. imprint umpteen of the shapes ring the focal level off ar leftfield implied. The panther seemed to compulsion to forestall the economic aid cogitate on the unforgiving bird and thus, did not ingurgitate these shap es with color or detail. The shapes that were inclined profuse solve were done so with curved, more than natural lines kind of than sharp, angular lines associated with more geometrical shapes. hold This painting takes the form of a fresco, as it was to begin with intermit of a gargantuan series of panels that cover a big(p) wall. Since this is a watercolor painting instead than a sculpture, the forms are caperistic. They cannot be viewed from all angles and watch no actual measurable prudence and volume. office more than manage texture, station does not appear to dedicate been a study disturbance to the painter. The cooccur forms do sign a progression of lacuna however, thither is little else to make up the illusion of depth.